The legendary screenwriter William Goldman wrote that, “Nobody knows anything.” He meant that common sense, as it is understood by us, doesn’t exist and can’t exist in the film industry. A film that should be a massive hit, such as John Carter or the dearly departed The Flash, isn’t. A film that flies under the radar, such as My Big Fat Greek Wedding or The Blair Witch Project, suddenly goes supernova and makes all the money. If you work in an industry where success can’t be predicted and failure means the loss of your job, you’re probably going to get scared. Once you get scared,... Read More

There are two incontrovertible facts: the first is that Louisa May Alcott was a fascinating human being. Her parents were Transcendentalists. She took lessons from Henry David Thoreau. She wrote a play for the Boston Theater and subsequently burned it due to infighting between her actors. Alcott briefly served as a nurse during the Civil War, survived typhoid fever, was a feminist, and was active in the abolitionist movement. To put it plainly, she was a baller. Oh, also? She wrote Little Women. That brings us to the second incontrovertible fact, which is that up until very recently, I was almost... Read More

As film critics go, I’m incredibly lucky. The fine people that run the website you’re reading have, for good or ill, given me enormous flexibility. I can see whatever I want. I can, within reason, write whatever I want. The decision for every week’s topic rests in my hands, God help us all.* Some weeks, it’s a no-brainer. If there’s a gigantic blockbuster opening that’s dominating the weekend, I’ll see that. Other times, a few potentially interesting films open against each other, and I have to make a snap decision to only review one. Still other times, I’ll desperately want to... Read More