What’s a Ghostbusters movie supposed to look like? Some people are purists, and the only scenario they can imagine is the further adventures of Bill Murray, Dan Aykroyd, Harold Ramis, and Ernie Hudson. Spend a little time online checking on Ghostbusters fandom, which I don’t recommend, and you’ll hear variations of “I just want to see the originals back doing what they do best – busting ghosts!” There’s a problem with that, considering that Ramis is no longer confined to this plane of existence, while Murray, Aykroyd, and Hudson are too old to credibly be running around with proton... Read More

Ghostbusters shouldn’t have worked. To be sure, it’s become a beloved film, but it’s a beloved film almost in spite of itself. Dan Aykroyd’s original script was reportedly several hundred pages, involving pandimensional travel and bonkers science fiction concepts. Had it been shot, it would have cost over $200 million — in 1980s money. Ivan Reitman got involved next, convincing Aykroyd that a rewrite was necessary and that the script required a more grounded approach. The plan was for Aykroyd to star alongside John Belushi and Eddie Murphy, and as the director of Meatballs and Stripes,... Read More

Movies are a drug for me, and there’s a certain type of movie that delivers a high that simply can’t be beaten. They don’t come around too often, but when they do, it’s like a blast of pleasure to the left and right hemispheres of my brain simultaneously. Take a moment and imagine there are really two kinds of movies. Low film and high film. Low films are, first and foremost, designed to entertain. That doesn’t mean they’re disreputable or of poor quality, though they can be. Transformers and Suicide Squad are low films that are also eau de garbage. Raiders of the Lost Ark and The Avengers... Read More