Mark my words, in the next week people are going to accuse Martin Scorsese and his film, Killers of the Flower Moon, of being racist. Sexist. Glorifying violence. Exploiting the experiences of Indigenous people. And most annoying of all, of being “woke.” This has happened to Scorsese for decades. He was accused of blasphemy with The Last Temptation of Christ,* accused of glorifying violence and the underworld with GoodFellas, and accused of glorifying violence/risky sex/drug use with The Wolf of Wall Street. The number of bad takes are seemingly endless. It’s okay if Scorsese’s work is... Read More

There’s a private joke I have when I get into my car. On the screen, the words “Depress brake pedal and push power button to start” always come up. Those words are a challenge, one I’ll always accept. If I’m in a lighthearted kind of mood, I’ll say, “Brake pedal, Transformers: Age of Extinction was the only movie to make a billion dollars in 2014.”  If I’m a little moodier, I might mention, “Brake pedal, millions of Americans believe the 2020 election was stolen and would happily sacrifice democracy for gas at $1.59 a gallon.” On bad days I’ll mutter, “Brake pedal, climate... Read More

When Quentin Tarantino’s debut feature Reservoir Dogs was released in 1992, the American film industry was in crisis. Cracks were appearing in the star system. Mainstream films were flopping at the box office. Audiences wanted something, anything new, and Hollywood didn’t know what to give them. For a moment, there was a window for Tarantino to pass through. Along with independent filmmakers like Steven Soderbergh, Paul Thomas Anderson and others, he irrevocably changed movies and culture. But 1992 was a long time ago. Sure, Tarantino was a big swinging dick—still is to a degree. He’s one... Read More

A great film doesn’t have to be subtle. Sometimes it shouldn’t be, depending on what the story is about and how it is told. Oliver Stone is genetically incapable of subtlety, but JFK and Platoon are a couple of the greatest movies ever made. Along similar lines, one of the big myths in filmmaking is that a great film is birthed out of a difficult production. Francis Ford Coppola nearly went insane making Apocalypse Now. Werner Herzog almost murdered his leading man and forced laborers to drag a steamship through the jungle during the filming of Fitzcarraldo. Uncooperative puppets... Read More