Movie critics are supposed to be impartial. That’s the common wisdom, anyway. They’re supposed to descend from their ivory towers, tuck themselves into their chinchilla-furred seats within a perfectly calibrated surround sound screening room, and receive each morsel of cinematic goodness with an equal degree of informed curiosity. That’s what’s supposed to happen. The reality is, if you follow any kind of critic or movie dork, there will inevitably be certain kinds of genres/filmmakers/actors that they…um…don’t care for! For example, a critic I read who writes for a major publication... Read More