There’s a private joke I have when I get into my car. On the screen, the words “Depress brake pedal and push power button to start” always come up. Those words are a challenge, one I’ll always accept. If I’m in a lighthearted kind of mood, I’ll say, “Brake pedal, Transformers: Age of Extinction was the only movie to make a billion dollars in 2014.”  If I’m a little moodier, I might mention, “Brake pedal, millions of Americans believe the 2020 election was stolen and would happily sacrifice democracy for gas at $1.59 a gallon.” On bad days I’ll mutter, “Brake pedal, climate... Read More

There’s an old rule in screenwriting that posits the idea that your main character should be likable. Like many rules in the art world, it’s completely wrong. Cowardly studio executives and shallow screenwriting gurus drill down on this concept because it’s easy. They assume that if viewers are stuck with a protagonist that isn’t morally upright, they’ll check out. Put more simply, they assume that viewers are dumb. Your protagonist doesn’t have to be an icon of virtue — they only need to be interesting. Dirty Harry is nearly as much of a threat to public safety as the crooks he blasts.... Read More

Okay, guys, confession time. Like all right-thinking people, I’ve read the Harry Potter novels and thoroughly enjoyed them. Unless you’re the constantly allergic to fun New York Times,* who wouldn’t? J.K. Rowling single-handedly created a book series that was not just fun and wondrous, but also perceptive, possessing subversive wit, and a profound understanding of the human condition. There’s no doubt that she’s one of the best writers of the last fifty years. When her novels ignited a worldwide phenomenon, naturally plans were made to adapt the novels into films.... Read More